Available works on paper. Drawings. Collages. Giclee prints.

Here are some of my drawings and works on paper that are still available. Pencil and ink on paper, or pencil and tempera on paper. They are all done on large size heavy watercolor or drawing paper. My works on paper are either in my studio or in the custody of the galleries. All these are unique, (not series) works of art.

A Space for Two is striking, with its use of ultramarine blue on vivid red paper creating a powerful and energetic contrast. The technique of using tempera highlights the artist’s ability to balance fluidity and control. The gestural brushstrokes suggest movement and emotion, while the semi-abstracted forms are evocative of Henri Matisse’s figurative works, particularly his later “cut-out” period, where the essence of form was distilled into bold shapes and colors.

The ultramarine blue against the red background immediately grabs the viewer’s attention. This complementary pairing generates visual tension and dynamism, characteristic of modernist expression. The vibrant background gives a sense of vitality, while the blue forms provide a cooling counterbalance, reminiscent of Fauvist use of color.

The fluid, dripping quality of the blue paint suggests spontaneity and emotional immediacy. It also adds depth and texture, evoking a sense of corporeal or visceral presence. The transparency of the strokes and overlapping forms introduce a layered effect, creating an interplay between figure and ground.

This piece depicts a couple in an embrace. The fluid and gestural forms have an intimate and emotional resonance. The viewer now sees not just abstract shapes but the suggestion of connection, tenderness, and shared vulnerability between two figures.

The overlapping and interwoven blue forms create a sense of unity, reinforcing the intimacy of the embrace. The male arms wrapping around the female figure are protective and grounding, suggesting care and emotional security.The female figure’s bust, with its softer, rounded lines, contrasts with the angularity of the male arms, symbolizing a duality of strength and gentleness.

The gestural brushstrokes lend movement to the piece, capturing the fleeting, dynamic nature of human touch and connection. It feels as though the couple is frozen in a moment of passion, warmth, or comfort. The drips of paint, almost like tears or sweat, give a raw, visceral quality to the depiction of intimacy, as if the emotional weight of the embrace is palpable.

The ultramarine blue, often associated with depth, tranquility, and spirituality, could symbolize the emotional or even transcendent connection between the two figures. The red background, intense and vibrant, suggests passion, vitality, and life force. Together, the colors amplify the interplay of emotional calm and fiery energy inherent in human intimacy.

The deliberate abstraction avoids specific facial features or details, making the figures universal and inviting viewers to project their own experiences of connection and love onto the piece. The fragmented representation of the couple implies a merging of identities, a becoming of “one,” while still retaining distinct elements of individuality, such as the male arms and the female bust.

This artwork aligns beautifully with Matisse’s philosophy of reducing forms to their essence while retaining emotional impact. The couple’s embrace is distilled into elemental lines and shapes, capturing the core feeling of closeness rather than focusing on representational accuracy. In this way, the artist engages with themes of love and connection in a way that transcends time and culture. The boldness of the work suggests a contemporary sensibility, one that embraces the imperfections and intensity of human emotion. It may also reflect a celebration of human relationships in their simplest, most vulnerable form—a universal theme that resonates deeply.

This piece captures the essence of an intimate moment with great emotional power, using abstraction to universalize the theme of human connection. It invites viewers to feel rather than simply observe, which is a hallmark of impactful art.

“In Chains” is striking in its expressive use of ultramarine tempera on ochre-colored paper. The contrast between the cool, fluid blue and the warm, earthy background creates a dynamic tension that enhances the emotional weight of the scene.

The figure, a male nude with his arms raised and seemingly bound, conveys a sense of surrender, vulnerability, or perhaps transcendence. The artist’s gestural, loose brushstrokes emphasize movement and emotion rather than strict anatomical accuracy, giving the piece an almost dreamlike, theatrical quality. There’s a raw immediacy in the dripping paint, which adds a sense of impermanence or struggle.

The use of ultramarine has a historical depth—often associated with sacred or spiritual themes in art. In this context, it adds a sense of elevation or divinity to the figure’s suffering or submission. The ochre paper, reminiscent of classical studies or life drawings, roots the piece in a timeless tradition while still feeling contemporary.

This piece, entitled Blessed, captures a sense of repose, vulnerability, and serenity in its depiction of the reclining female nude. The interplay of the ultramarine tempera against the red paper backdrop retains the artist’s signature dynamism while introducing a profound sense of stillness and introspection.
The female figure, stretched out and partially draped, is both sensual and dignified. Her posture exudes relaxation, yet the dynamic brushwork imbues her form with a sense of energy that transcends stillness. The exaggerated, elongated curves highlight the artist’s focus on the grace and beauty of the human form, an approach reminiscent of Matisse and his celebration of femininity and movement.

The use of ultramarine blue over red paper creates a tension between calmness (blue) and vitality (red). Here, this pairing suggests a balance between the physical and the spiritual, aligning with the title Blessed. It hints at the sanctity of the human body and its connection to something higher. The blue, applied with gestural strokes, wraps the figure in an almost ethereal glow, suggesting that the subject is not just nude but spiritually bare, vulnerable, and at peace.

The gestural, semi-transparent lines create a sense of immediacy, as though the image were painted in one continuous, intuitive motion. The looseness and fluidity of the strokes invite the viewer to engage with the emotional essence of the subject rather than focus on realism. The abstraction of specific details, such as the face or the finer textures of the figure, universalizes the piece, turning the female subject into an archetype of beauty, serenity, and spiritual reflection.

The horizontal lines and suggestion of a bench or platform anchor the figure in space without confining her. She feels simultaneously grounded and transcendent. The faint, vertical stroke in the background symbolizes a division of space.

The title Blessed imbues the artwork with a sense of reverence. This is not simply a depiction of a nude; it is a meditation on the human form as a vessel of life, beauty, and grace. The subject’s relaxed pose suggests surrender or acceptance, a moment of bliss that is deeply human yet otherworldly in its portrayal. This work fits within the tradition of modernist nudes that celebrate the body not just as an object of desire but as a source of emotional and spiritual resonance. Matisse’s influence is apparent in the bold, simplified forms and the harmonious interplay of colors, but the gestural, unfinished quality gives it a more contemporary edge, aligning it with expressionist approaches.

Blessed is a powerful, evocative piece that seamlessly bridges the physical and spiritual realms. By focusing on gesture and emotion over detail, the artist communicates an intimate moment of peace and transcendence, inviting viewers to connect with the universal beauty of the human form. It feels both personal and archetypal, capturing the essence of what it means to be “blessed” in body and spirit.

Sliced Venus from the Neo Mythology series is a compelling and thought-provoking work that reimagines classical mythology through a modern lens. By deconstructing the iconic image of Venus, the artist creates a bold visual statement that invites both intellectual and emotional engagement.

The slicing of the Venus bust disrupts the idealized image of classical beauty, suggesting themes of fragmentation, imperfection, or reinterpretation of cultural ideals. This technique reflects a postmodern sensibility, where traditional symbols are dismantled to explore new meanings. By fragmenting Venus, the artist might be commenting on how ancient myths are reshaped and reinterpreted in contemporary culture, highlighting the tension between the past and the present. The combination of elegance (Venus) and dissonance (the slicing) creates a duality that feels simultaneously reverent and subversive. This juxtaposition adds psychological depth.

The ultramarine blue, juxtaposed against the fiery red background, retains the vibrant, high-contrast style seen in Nude at the Window. Here, it emphasizes the tension between calmness (blue) and energy or disruption (red), perfectly aligning with the fragmented theme. The blue circle encasing the sliced Venus acts as both a focal point and a boundary. It could symbolize containment, unity within fragmentation, or a portal into a different dimension where myths are reinterpreted. The expressive, loose brushstrokes add movement and energy, contrasting with the rigid, geometric “slices.” This dynamic approach emphasizes the tension between organic forms (Venus) and the artificial act of slicing. The choice of tempera lends a matte, luminous quality to the colors, while the ink’s fluidity adds detail and contrast, creating a dynamic balance between boldness and precision.

The sliced Venus might represent the disconnection or reinterpretation of ancient ideals in the modern era. It could also evoke feelings of loss, transformation, or renewal. The artwork bridges the gap between the timeless appeal of classical mythology and the fragmented, fast-paced narrative of contemporary life.

This work aligns with the spirit of 20th-century and contemporary art movements that reinterpret classical themes. It shares sensibilities with Surrealism (deconstructing reality), Cubism (fragmentation of form), and Pop Art (engagement with iconic imagery).

Sliced Venus is a bold, visually arresting work that successfully recontextualizes classical themes in a modern, thought-provoking way. The artist’s ability to merge mythology with contemporary artistic techniques demonstrates a profound understanding of both tradition and innovation. It invites viewers to question how we interpret and reimagine the past in today’s cultural landscape.

This piece, titled Modern Nude, continues the artist’s exploration of the female form and the interplay of abstraction, color, and emotional expression. Its simplicity and gestural quality convey both intimacy and modernity, while the subtle turn of the figure’s head toward the viewer introduces an intriguing sense of interaction and self-awareness.

The seated position conveys groundedness and stability, while the slight turn of the head adds a sense of curiosity or contemplation. This subtle gesture brings life to the figure, suggesting that she is both an object of observation and a subject with her own agency. The lack of facial details reinforces abstraction, keeping the viewer focused on the overall form and energy of the figure rather than specific identity. This universalizes the subject, making her emblematic of femininity and modernity.

The ultramarine blue continues to act as a defining presence, but here it takes on a slightly more subdued role due to the figure’s relatively static pose. The contrast with the red background is still vibrant, but the mood feels quieter, more introspective. The splashes and drips of blue, particularly around the head and upper body, suggest spontaneity and energy, as if to counterbalance the stillness of the pose. These marks evoke a sense of modern experimentation, adding to the title’s theme of “modernity.”

The gestural lines are confident and fluid, emphasizing the natural curves of the body. The looseness of the brushwork allows the figure to feel dynamic, even in a seated, static position. The drips of paint elongate the figure and create vertical movement, while the bold horizontal stroke (representing a platform) anchors her in space.

The turn of the head is subtle but powerful. It creates a sense of interaction that is not overtly confrontational but instead curious or contemplative. The viewer feels invited into the figure’s space without the sense of voyeurism often associated with traditional nudes.

The title Modern Nude suggests an intentional engagement with the legacy of nude art in the modern age. This work pays homage to classical traditions, but its abstraction, expressive drips, and bold color palette make it distinctly contemporary. The subject’s body is not idealized or fetishized but presented as a natural, fluid form, a celebration of humanity and individuality.

The combination of vulnerability (the exposed figure) and self-awareness (the head turning toward the viewer) reflects modern themes of identity, agency, and how we perceive and present ourselves in a world of observation. The splattered blue marks also hint at imperfection, spontaneity, and the rawness of life, reinforcing the modernity of the piece.

Modern Nude is a contemplative and elegant piece that balances timeless themes with a distinctly modern aesthetic. The interplay of vulnerability, agency, and abstraction elevates the work beyond mere representation, inviting the viewer to reflect on the evolving meaning of the nude in art. It is both intimate and universal, capturing the essence of the human form in a way that feels fresh, emotional, and thought-provoking.

The artwork Enigma is a compelling piece from the Neo Mythology series, and it beautifully blends classical inspiration with a modern, gestural approach. Its execution and thematic choices evoke a sense of timelessness while simultaneously engaging with contemporary artistic sensibilities.

Charcoal, ink, and tempera are used dynamically, creating a rich interplay of line, shadow, and highlight. The materials work together to emphasize the sculptural quality of the male figure while maintaining a sense of fluidity and gesture. The tempera highlights bring a sense of luminosity to the figure, giving it a statuesque quality as though it were emerging from the paper itself. The ink provides structure with strong, definitive lines, while the charcoal adds subtle shading and texture.

The vividearthyred paper is a bold and unexpected choice, immediately capturing attention and setting the mood. Red, often associated with energy, warmth, and vitality, adds a mythic or even heroic quality to the piece. It feels as though the figure is bathed in the glow of some divine light, emphasizing its connection to mythology. The contrast between the earthy red and the cooler white highlights creates a tension that mirrors the enigmatic and ambiguous nature of the title, Enigma.

The composition is centered on the male torso, emphasizing physicality and strength. The figure appears partially incomplete, with some areas deliberately left undefined. This incompletion contributes to the mysterious quality of the work, inviting the viewer to imagine what is absent. The pose suggests a classical inspiration, with its contrapposto stance and relaxed yet commanding presence. This recalls depictions of gods, warriors, or heroes in Greco-Roman art, yet the unfinished, gestural style modernizes this reference, making it feel raw and immediate.

As part of the Neo Mythology series, this piece likely seeks to reimagine or reinterpret classical mythological themes for a contemporary audience. The figure’s partially abstracted nature suggests that it could represent an archetype rather than a specific individual—perhaps a hero, a god, or a symbol of human strength and vulnerability. The title, “Enigma” implies that the figure holds a deeper mystery. The incompleteness of the form could symbolize the complexity of myths themselves, which often leave room for interpretation and adaptation.

The work recalls the idealized male nudes of the Renaissance, particularly those by Michelangelo or Da Vinci, where the human form is celebrated for its strength and beauty. However, the looser, gestural style moves away from perfection, aligning the piece with modernist movements like Expressionism or the gestural figurations of Egon Schiele. The orange backdrop and fragmented figure also evoke modern abstraction, where context and narrative are stripped down, leaving room for ambiguity.

The areas of the figure left undefined allow the vibrant orange background to interact with the form, creating a sense of movement and depth. The classical proportions and pose contrast beautifully with the contemporary, gestural execution, creating a bridge between tradition and innovation. The piece captures both strength and incompleteness, making the figure feel powerful yet elusive. This duality aligns with the concept of mythology, where gods and heroes often embody contradictions.

Enigma is a captivating and richly layered piece that combines classical ideals with a modernist sensibility. The vibrant red paper, expressive brushwork, and sculptural treatment of the figure create a striking and memorable visual experience. Its ambiguity and incompleteness invite viewers to engage with the piece intellectually and emotionally, embodying the timeless allure of mythology reimagined for the contemporary era. This is a standout work within the series, with a clear potential to inspire further exploration of myth and form.

This drawing, Apollo, is a compelling piece that exemplifies the artist’s continued exploration of classical themes through a modern and deconstructive lens. By presenting the fragmented visage of Apollo, the work merges the timeless beauty of antiquity with contemporary abstraction, perfectly aligning with the overarching themes of the Neo Mythology series.

The use of pencil and ink on ochre paper creates a strong visual contrast while maintaining the warm, classical undertones associated with mythology and ancient art. The bold, sweeping ink strokes outline the contours of the bust with a dynamic energy, while the softer pencil details provide depth and delicacy, particularly in the hair and facial features. The fragmented, disconnected sections of the face—most notably the gap through the eyes—are handled with finesse, giving the piece a surreal, disjointed quality.

The fragmentation of the bust is the defining feature of this piece. The missing eyes create a striking void, inviting viewers to focus on other elements of the face—particularly the mouth and nose, which are rendered with precision and vitality. The disjointed composition disrupts the viewer’s expectations of symmetry and wholeness, symbolizing the loss or distortion of identity, memory, or perception.The deliberate asymmetry is balanced by the subtle flow of the lines, which guide the eye across the composition in a harmonious manner.

Apollo, the Greek god of the sun, music, prophecy, and harmony, is a figure often associated with perfection, rationality, and the arts. In this context, his fragmented depiction symbolizes deconstruction of the classical ideal. This modern reinterpretation breaks down the rigid forms of classical sculpture, blending tradition with contemporary abstraction.

The void where the eyes should be is haunting, giving the piece a sense of mystery and introspection. This absence creates an emotional tension, as the viewer is drawn to imagine what is missing. The ochre background enhances the warmth and timelessness of the piece while emphasizing the stark black ink, which adds weight and drama to the fragmented form. The unfinished quality of the lower bust (with sketchy, loose lines) contrasts beautifully with the more detailed rendering of the mouth and nose, creating a balance between abstraction and realism.

Like other works in the Neo Mythology series, this piece deconstructs a classical icon to explore its relevance and meaning in a contemporary context. The fragmentation of Apollo reflects the series’ recurring themes of duality, transformation, and the tension between past and present. This reinterpretation aligns with broader postmodern tendencies to question, distort, or reimagine classical ideals while retaining their cultural and symbolic resonance.

The disconnection of the eyes from the rest of the face is both visually arresting and conceptually rich, making the work thought-provoking and emotionally impactful. The dynamic interplay between bold ink lines and delicate pencil strokes creates depth and movement, ensuring that the piece is visually engaging from every angle. The ochre paper acts as a historical anchor, grounding the modern deconstruction in the aesthetics of antiquity.

Apollo is a striking and evocative work that exemplifies the Neo Mythology series’ ability to merge classical references with modernist abstraction. The artist’s choice to fragment and deconstruct Apollo’s visage is a bold statement, symbolizing the tension between tradition and reinvention. By breaking down the idealized beauty of classical sculpture, the piece invites viewers to question the meaning and relevance of these ideals in a contemporary, fragmented world. A profound and visually stunning interpretation of a timeless figure!

Memories, 100x70cm, pencil, ink, tempera on paper

The drawing Memories, from the Neo Mythology series, is a striking and evocative work that seamlessly continues the themes of the collection while introducing a more introspective, emotional dimension. This piece, focusing on the face, contrasts the physicality of the earlier works with a more psychological and intimate exploration of identity and memory.

The use of pencil, ink, and white tempera creates a dynamic interplay of fluidity and structure. The bold ink lines define the facial features with expressive energy, while the tempera highlights soften and illuminate the form, imbuing it with an ethereal quality. The application of white tempera as streaks and dashes creates a layered, almost ghostly effect, as though the figure is caught between presence and absence. This choice is deeply resonant with the title, Memories, evoking the fragmentary and fleeting nature of recollection.

The composition is tightly focused on the face, filling the frame and confronting the viewer directly. This intimacy draws the audience into the emotional world of the subject. The use of asymmetry in the facial structure, where certain lines and features are more emphasized than others, creates an impression of distortion or incompletion. This mirrors the way memories can be vivid in some places yet hazy in others, lending a poignant and reflective quality to the work.

The facial expression is both melancholic and contemplative. The downward tilt of the head, coupled with the large, expressive eyes, conveys a sense of longing or introspection. The layering of lines and marks suggests that the figure’s identity is not fixed but rather in flux, capturing the ephemeral nature of memory and the way it shapes and reshapes our understanding of self and others.

The dark red paper once again serves as a bold and energetic backdrop, tying this piece to the series’ aesthetic. However, in Memories, the vibrant background contrasts with the subdued and introspective mood of the face, creating an intriguing tension between external vitality and internal reflection. The stark white tempera against the warm orange heightens the emotional impact, suggesting light and hope amidst the haziness of memory.

In the context of Neo Mythology, this piece represents a figure like Mnemosyne, the Greek goddess of memory. The fragmented and layered rendering of the face might symbolize the multifaceted nature of memory, where myth and personal history blend into one. Alternatively, it evokes the idea of statues or relics of mythological figures, weathered by time, their forms and stories only partially remembered.

This work bears similarities to the modernist portraiture of artists like Egon Schiele, with its expressive use of line and emotional intensity. It also recalls classical busts, where the head and face are central to conveying identity and character. However, the layering and abstraction mark it firmly as a contemporary interpretation of these traditions. The fragmented, ghostly style aligns with the aesthetics of Abstract Expressionism, where the process of creation (the visible lines and marks) becomes part of the narrative.

The overlapping lines and layers create a sense of depth and ambiguity, perfectly suited to the theme of memory. The expressive features and unfinished quality of the portrait imbue it with a deeply human vulnerability. While unique, the work ties back to the series through its use of orange paper and gestural execution, creating a cohesive narrative.

Memories is a deeply moving and sophisticated piece that captures the elusive nature of memory through its layered, expressive execution. The direct gaze of the figure, combined with the fragmented rendering, makes it both personal and universal—an exploration of how we hold onto the past in pieces and how myth and memory intertwine. This work stands as a profound addition to the Neo Mythology series, offering an emotional counterpoint to its more physically oriented counterparts. A powerful, thought-provoking piece.

“Love is in the Air” is a deeply romantic and dynamic piece that introduces a fresh energy to the artist’s series. The depiction of a couple in an embrace, set against the context of a beach, departs from the more introspective and solitary works we’ve seen, celebrating connection, movement, and passion instead. The use of ultramarine on ochre paper enhances the emotional resonance, with the warm-toned background adding a sense of vitality and balance to the cool blue tones.

The ochre background imbues the piece with a sunlit, earthy warmth that contrasts beautifully with the intensity of ultramarine. This palette evokes the ambiance of a beach—sun, sand, and the vast blue expanse of the sky and sea—further immersing the viewer in the setting.  The artist’s characteristic loose, gestural brushstrokes create a sense of movement and spontaneity that perfectly captures the physical and emotional energy of the embrace. The drips and splatters add vibrancy and suggest the spray of waves or sand kicked up in the moment.

The composition is full of life and movement. The way the man holds the woman, lifting her off the ground, conveys a sense of weightlessness, joy, and passion. Her suspended position, with one leg slightly bent and her body leaning toward him, gives the piece a romantic fluidity. Their embrace and the kiss are the focal points, pulling the viewer into their moment of connection. The figures are rendered with flowing, overlapping lines, creating an intimate and organic connection between them. This contrasts with the steadier, more grounded background strokes, emphasizing the couple’s movement and unity against the stillness of the environment. The figures are suggestive rather than overly detailed, leaving room for interpretation and emotion. The simplicity of the lines focuses attention on their intertwined forms, while the beach setting is hinted at through minimal elements, like faint horizontal strokes to represent the horizon.

The title, “Love is in the Air,” paired with the beach setting and the figures’ elevated, suspended pose, suggests freedom, joy, and the transcendent nature of love. The embrace feels both deeply personal and universally relatable, inviting the viewer to share in the emotion of the moment. Unlike the solitary introspection of the previous works, this piece radiates outward. It’s celebratory, filled with vitality and human connection, offering a thematic counterpoint to the “Nude in Interior” series while retaining the same gestural expressiveness.

The embrace recalls romantic depictions of couples in art, such as Auguste Rodin’s “The Kiss”, but the loose, gestural style connects it more with modernist and abstract movements. There’s also a sense of cinematic drama in the pose, reminiscent of iconic romantic moments in film. The ochre paper, minimal background, and fluid brushwork work together to conjure the atmosphere of a beach without explicitly detailing it. This minimalism allows the focus to remain on the couple while still anchoring them in a specific, evocative setting.

“Love is in the Air” is a vibrant, celebratory work that captures the essence of passion and connection. The artist’s use of ultramarine on ochre paper, combined with their fluid, expressive technique, creates a dynamic interplay of color, movement, and emotion. This piece stands out in its thematic shift toward love and unity while retaining the stylistic cohesion of the series, demonstrating the artist’s versatility and ability to evoke a broad spectrum of human experiences. It’s a beautiful testament to the power of simplicity in conveying profound emotion.

“Night Blues” is a striking and evocative piece in the “Nude in Interior” series, showcasing the artist’s mastery of composition, mood, and narrative depth. The depiction of the female nude viewed both directly and in the mirror creates a layered and introspective atmosphere, capturing a moment of quiet self-reflection. The title, “Night Blues,” further emphasizes the contemplative, perhaps melancholic, tone of the work.

The direct view of the figure combined with her reflection in the mirror introduces complexity and depth to the composition. This duality invites the viewer to explore both physical and emotional dimensions of the subject, suggesting themes of self-awareness or inner dialogue. The sweeping, gestural lines give the piece a sense of fluidity and immediacy, as though the figure has just moved or is caught mid-thought. The contrast between the flowing curves of the figure and the more rigid, horizontal strokes of the mirror frame adds tension and structure to the scene. The figure’s pose, partially seated with on the chair and her back exposed, creates an intimate connection with the room. The inclusion of furniture and the mirror situates her in a tangible, lived-in space, enhancing the narrative.

The interplay of the cool ultramarine tempera and the warm ochre paper is masterful. The blue evokes a nocturnal, introspective mood—suggestive of moonlight filtering into the room—while the ochre adds a subtle warmth, balancing the emotional undertones. Blue often symbolizes tranquility, sadness, or introspection, perfectly aligning with the title and mood. The color’s saturation varies throughout the piece, emphasizing certain areas, like the curve of the back, while allowing other parts to fade softly into the background.

The subject’s back is turned to the viewer, creating a sense of privacy and introspection. However, the mirror’s reflection offers a glimpse of her face, drawing the viewer into her inner world. This duality—being both hidden and revealed—captures the nuanced emotional layers of solitude and self-examination. The absence of explicit details about the figure’s emotions or thoughts invites interpretation. Is she lost in thought? Contemplating her day? Experiencing the titular “blues”? This openness makes the piece relatable and engaging.

Mirrors have long been used in art to explore themes of identity, self-perception, and duality. This piece evokes the same traditions seen in works by artists like Velázquez or Degas but interprets them through a modern, gestural lens. The loose, expressive brushstrokes harken to the spontaneity of action painting while maintaining enough clarity to define the figure and setting. This combination of abstraction and representation situates the work firmly in a contemporary context.

“Night Blues” is a beautifully intimate and layered work that captures a moment of introspection with grace and subtlety. The dual perspectives provided by the mirror create depth both visually and conceptually, while the interplay of ultramarine and ochre enhances the piece’s mood. The artist’s ability to blend gestural abstraction with narrative resonance makes this work a compelling part of the “Nude in Interior” series, offering both emotional complexity and artistic sophistication.

“Eclectic” is striking in its expressive simplicity and inventive use of ultramarine tempera on paper. Its fluidity, paired with the dynamism of the ink splatters, makes it an evocative exploration of the human form within an interior setting.

The use of ultramarine evokes a sense of calmness, introspection, and timelessness. Ultramarine, historically associated with high value (derived from lapis lazuli in Renaissance art), gives the work an air of elegance and mystique. The interplay between precise line work and fluid, uncontrolled splashes creates tension and movement. The splatters break the rigidity of the figure and bring spontaneity to the piece, suggesting life beyond the subject’s physical boundaries.

The vertical and diagonal lines in the background contrast the soft curvature of the figure, grounding the subject within a structural yet abstract interior space. This “interior” is minimal but evokes the idea of a setting, making it feel intimate but not confined. The seated posture, with one leg bent and the other tucked, conveys an air of relaxation yet introspection. The figure appears to be at ease but also deep in thought, aligning with the “eclectic” theme—a merging of emotional and spatial elements.

The female nude is rendered with sensitivity, embracing the natural flow of the human form without over-defining it. The minimalist depiction emphasizes vulnerability and strength simultaneously. The title “Eclectic” aligns with the artwork’s balance between fluidity and structure, precision and chaos. It feels like a thoughtful blending of styles and ideas, challenging traditional boundaries while remaining tethered to classical artistic practices.

This work echoes influences from modernist and abstract traditions. The monochromatic palette recalls Picasso’s Blue Period, which sought to evoke emotion through color. The spontaneity of the splatters and gestural brushwork feels reminiscent of the Abstract Expressionists, such as Pollock, though here it’s restrained and purposeful. It also aligns with a broader tradition in European art of using the female nude to explore themes of identity, space, and the human condition.

Overall, “Eclectic” is a beautifully realized work that skillfully balances abstraction, spontaneity, and intimacy. It invites viewers into a world of contemplation, offering inspiration for further exploration of both technical and thematic ideas.

“End of Innocence” is a captivating addition to the “Nude in Interior” series, carrying an evocative emotional charge that aligns with the title while continuing the artist’s distinct approach to form and composition. The reclining pose and the nuanced expression of the figure suggest a sense of introspection and a narrative of transformation, fitting perfectly with the work’s title.

The juxtaposition of ultramarine with the warm-toned paper creates a striking visual contrast. The golden hue of the background infuses the piece with warmth and energy while enhancing the intensity of the ultramarine, giving it a sense of glowing vitality. The fluid brushstrokes, paired with the artist’s characteristic splatters and drips, reinforce the spontaneity and emotional depth of the work. The drips cascading from the figure evoke a sense of impermanence or dissolution, which mirrors the transitional theme implied by the title.

The figure’s pose is a bold choice—relaxed but with an undeniable tension, particularly in the raised legs and the placement of her hands. Her head resting on one hand, coupled with her gaze, conveys a sense of reflection or vulnerability. This adds emotional complexity, making the work feel intimate and personal. The angular lines of the furniture in the foreground and background contrast with the soft curves of the figure, drawing attention to her form while anchoring her in the interior space. The interplay between the straight edges and fluid lines creates an engaging rhythm. While the interior setting is minimal, the vertical elements (representing curtains or window frames) in the background add depth and context. They also seem to frame the figure, emphasizing her centrality in the composition.

The title introduces a powerful narrative element, suggesting themes of growth, realization, or loss. The figure’s relaxed posture and reflective expression could symbolize a transition from naivety to self-awareness or maturity. The sensual pose enhances this narrative, suggesting a coming-of-age story or a moment of vulnerability paired with newfound strength. The gaze of the figure, directed outward but tinged with a hint of distance, invites viewers into her emotional state. Her body language—relaxed yet slightly guarded—suggests contemplation or uncertainty, amplifying the work’s emotional depth.

This piece resonates with classical depictions of reclining nudes, such as Titian’s “Venus of Urbino” or Manet’s “Olympia,” where the pose is charged with introspection and sensuality. However, the abstraction and expressive brushwork align it more with modernist sensibilities, such as Matisse’s or Egon Schiele’s explorations of the nude figure. The gestural quality and drip techniques channel elements of Abstract Expressionism, particularly in the way they convey emotion and movement without overwhelming the subject.

“End of Innocence” is an evocative and masterfully executed work that combines sensuality, introspection, and narrative depth. Its title invites viewers to engage with the piece on a conceptual level, while its technical brilliance and stylistic cohesion keep them absorbed. The warm-toned paper enhances the drama of the ultramarine, making this artwork a standout in the series. It’s an excellent demonstration of how the artist balances figuration and abstraction to create emotionally resonant pieces.

“Desire” is another compelling piece in this series, maintaining the artist’s signature style of ultramarine tempera and dynamic line work. This work exudes a different emotional and physical tension compared to “Eclectic,” presenting a more sensual and introspective interpretation of the female form.

The gray paper contrasts beautifully with the vibrancy of ultramarine, softening the color’s boldness and giving the piece a muted, contemplative atmosphere. The gray backdrop also suggests shadows or dusk, adding depth and emotional nuance to the scene. The ink splatters create a sense of motion and imperfection, reinforcing the organic nature of the human form. The drips running down the paper suggest fluidity and gravity, which contrasts with the tension in the figure’s pose.

The arched back and crossed arms, as the figure shields herself, convey a duality of vulnerability and sensuality. The covering gesture could suggest modesty or introspection, but the arched back introduces a layer of desire and bodily awareness. The result is a push-pull dynamic that aligns perfectly with the title. The faint structural lines in the background—perhaps a wall or window—once again anchor the figure in an interior setting. These lines remain minimal, allowing the viewer’s focus to stay on the expressive form of the figure. The figure is more loosely rendered compared to “Eclectic,” with softer edges and less-defined contours. This abstraction feels intentional, inviting the viewer to interpret the emotional tone rather than fixate on details.

The title suggests longing or yearning, which is mirrored in the figure’s arched posture and subtle gesture of concealment. The piece balances restraint with expressive energy, encapsulating the complexity of human desire—physical, emotional, and perhaps unattainable. The figure’s connection to the wall and the interior space suggests a sense of intimacy. The sparse environment feels reflective and private, heightening the emotional resonance of the figure’s stance.

This work continues to draw on themes from modernism and abstraction. The use of a limited palette and spontaneous splatter recalls the works of Joan Miró or even Henri Matisse’s fluid line drawings. However, the introspective tone and minimal use of interior detail align it more with 20th-century existentialism in art—works that explore the human form as a site of emotion and thought.

“Desire” is a beautiful continuation of the artist’s exploration of human vulnerability and spatial interaction. Its more subdued and intimate tone differentiates it from “Eclectic,” yet both share a harmonious balance between abstraction and figuration. The posture of the figure—simultaneously guarding and revealing—captures the essence of the title with sophistication, making it a standout piece in the series.

“Siesta” is a serene and visually arresting addition to the “Nude in Interior” series. It conveys a quiet intimacy and relaxation, perfectly encapsulated in its title. The reclining female figure, with legs elegantly extended upward, creates a sense of balance between stillness and subtle energy. The interplay of ultramarine tempera and the warm-toned paper once again demonstrates the artist’s ability to use limited color palettes to great emotional and visual effect.

The ochre-like background provides a sunlit, tranquil atmosphere that pairs beautifully with the cool, calm energy of the ultramarine tempera. The artist’s choice of medium emphasizes contrast while imbuing the piece with a harmonious duality—warmth in the environment and coolness in the figure. The fluidity of the brushstrokes aligns with the theme of relaxation, while the vertical drips lend a dreamlike quality, as if the figure is melting into her surroundings. The looser strokes in the background contrast with the more defined lines of the figure, highlighting her as the focal point.

The unconventional reclining pose, with legs extended upward, adds visual interest and a sense of lightheartedness to the piece. It suggests a playful yet completely relaxed moment, as though the figure is unwinding and stretching in the midst of a private, comfortable setting. The verticality of the legs and the drips juxtaposes with the horizontal lines in the background, creating a sense of structure and stability. This geometric balance anchors the composition and enhances the overall sense of calm. The artist has included abstract horizontal strokes in the background, reminiscent of blinds or a window. These subtle details suggest an interior space filled with sunlight and add depth without detracting from the figure’s prominence.

The title, “Siesta,” reinforces the narrative of rest and tranquility. The figure’s pose is unapologetically casual and unguarded, evoking the vulnerability and freedom found in moments of private repose. While other works in the series explore themes of introspection, passion, or desire, this piece focuses purely on physical and emotional relaxation. It offers a more subdued, meditative perspective, providing variety to the series while maintaining its stylistic coherence.

The reclining nude is a recurring motif in art history, seen in works by Titian, Ingres, and Modigliani. However, this piece’s contemporary execution—fluid, minimalist, and abstracted—ties it more closely to modernist traditions, particularly the gestural energy of Egon Schiele or Matisse’s reclining nudes. The artist’s decision to leave much of the environment abstract enhances the piece’s timeless quality. The figure feels anchored in both a specific space (suggested by the window-like strokes) and an almost dreamlike, universal realm.

“Siesta” is a masterful exploration of rest and serenity, demonstrating the artist’s ability to convey mood through form, color, and composition. The elegant simplicity of the figure, combined with the abstracted interior elements, invites the viewer to share in this peaceful moment. Its balance of gestural abstraction and classical themes makes it both timeless and distinctly modern. This piece is a beautiful representation of intimacy, calm, and the universal human experience of seeking rest.

“Private Moment” is an exceptional addition to the “Nude in Interior” series, offering a quiet, introspective narrative that exudes grace and serenity. The young female figure, seated on an elegant armchair, is rendered with the artist’s signature ultramarine on ochre paper, a pairing that enhances the emotional depth and sophistication of the scene. The interplay between the figure, the armchair, and the background elevates this work to one of both elegance and intimacy.

The composition is centered yet fluid, with the figure reclining gracefully within the ornate frame of the armchair. Her pose—relaxed but introspective—creates a sense of harmony between the human form and the architectural rigidity of the chair. The artist’s sweeping, gestural brushstrokes provide movement and energy to the static pose. The curves of the body mirror the chair’s decorative elements, emphasizing the unity between the figure and her environment. The suggestion of a room or interior space in the background, with its gridded linear patterns, contrasts the organic softness of the figure and the chair. This juxtaposition adds visual interest while grounding the scene in a lived, tangible space.

The combination of ultramarine blue and warm ochre paper continues to be a defining characteristic of the series, but here it feels especially poignant. The vivid blue of the figure and chair stands out against the muted background, emphasizing their significance while allowing the ochre to imbue the work with warmth and subtlety. The cool blue tones evoke calmness and introspection, while the warm ochre creates a sense of comfort and intimacy. This duality reflects the subject’s private moment—a mix of solitude, peace, and perhaps quiet contemplation.

The figure’s pose—sitting with one leg bent and her arms lightly embracing herself—suggests vulnerability and self-reflection. There’s a narrative of quiet introspection, perhaps even self-care, that invites the viewer into a deeply personal moment. The elegant, almost regal armchair adds an element of formality or tradition to the scene. This contrast between the casual nudity of the figure and the structured formality of the chair lends the piece a timeless quality, connecting it to historical depictions of the reclining nude in fine art.

The armchair recalls the opulence of classical interiors, reminiscent of Rococo or Baroque aesthetics. However, the loose, gestural style firmly situates the work in a contemporary context, bridging historical traditions with modern expression. Like many works in the series, “Private Moment” explores themes of solitude, introspection, and the intimate relationship between figure and space. The title emphasizes the personal, unguarded nature of the scene, making it feel both universal and deeply individual.

“Private Moment” is a poignant, beautifully composed work that encapsulates the themes of intimacy, elegance, and reflection central to the “Nude in Interior” series. The artist’s expert use of ultramarine and ochre, combined with their dynamic gestural technique, creates a scene that feels timeless yet deeply personal. This piece stands as a testament to the artist’s ability to balance classical influences with modern sensibilities, making it a captivating and thought-provoking work.

“In the Afternoon Sun” is an evocative and skillful piece that captures the interplay between light, shadow, and the human form with remarkable sensitivity. The artist’s use of ultramarine tempera on ochre paper transforms a simple moment—sunlight filtering through a window—into an artwork filled with vitality, sensuality, and rhythm.

The subject’s upward-reaching gesture, with one arm stretched behind her head, creates an elegant, sinuous line that imbues the piece with energy and a sense of motion. Her relaxed expression contrasts with the dynamism of her pose, creating a balance between activity and repose. The figure’s directness, combined with the slight tilt of her head and the open nature of the pose, draws the viewer in, making her seem both vulnerable and self-assured. The intimacy of the moment is heightened by the interplay of light and shadow.

The striped patterns of light and shadow play a leading role, emphasizing the contours and textures of the body. These light effects are not only realistic but also deeply expressive, almost creating an abstract overlay that adds rhythm to the composition. The stripes of sunlight create a sense of dimensionality, as if the viewer is peering into a real scene. The interplay of warm ochre and vibrant ultramarine enhances this layered effect, making the shadows feel alive.

The artist’s loose, fluid lines lend the piece a sense of immediacy and spontaneity, suggesting that this is a fleeting, captured moment. The gestural strokes used to delineate the figure and the shadows allow the piece to feel natural and unrestrained.  The figure is the undeniable focal point, with the bold ultramarine providing sharp contrast against the warm ochre. The background elements, though faintly suggested, remain unobtrusive, allowing the shadows on the body to take center stage.

The work’s focus on sunlight playing across the nude figure evokes a sense of warmth, intimacy, and sensuality. There is a tactile quality to the shadows, as if the viewer can feel the heat of the afternoon sun. The relaxed pose, combined with the tranquil mood of the sunlight, suggests a private moment of reflection or contentment. The piece feels deeply personal yet universally relatable.

The emphasis on light and its interaction with the human form recalls the Impressionist movement, particularly the works of artists like Degas and Renoir. However, the gestural modernity of the brushwork gives this piece a contemporary flair. Throughout art history, the relationship between light and the human body has fascinated artists, from Caravaggio’s dramatic chiaroscuro to Matisse’s lyrical nudes. This piece situates itself within that rich tradition while bringing a fresh and immediate perspective.

“In the Afternoon Sun” is a masterful exploration of the interaction between light, shadow, and the human form, capturing both the physical and emotional warmth of a sunlit afternoon. The artist’s ability to balance naturalistic detail with expressive abstraction makes this piece both visually stunning and deeply resonant. It’s a celebration of the human figure in its purest, most natural state—bathed in sunlight and alive with the rhythms of nature

This is a striking and emotionally charged work of art. The use of ultramarine tempera on paper imbues the piece with a bold yet calming intensity, as ultramarine blue has historically been associated with depth, spirituality, and emotion. The medium itself allows for a fluid and spontaneous expression, as evidenced by the dripping lines and translucent washes that give the work its ethereal quality.

The stylized embrace captures both intimacy and movement, suggesting a dynamic interplay of connection and emotion. The woman’s gesture of holding the man’s head is especially tender, conveying affection, trust, and vulnerability. The figures are abstracted and simplified into fluid, interlocking lines, which emphasize their unity rather than their individuality. This abstraction pushes the viewer to focus on the emotional energy rather than specific details.

The figures are centralized and vertical, creating a sense of balance and grounding. Yet, the diagonal sweeps and curves of the lines lend the piece a feeling of movement and life, as if the couple is swaying or merging into one another. Negative space is skillfully used here. The areas left untouched by the paint provide breathing room and enhance the impact of the saturated ultramarine strokes.

This choice of color is highly symbolic. Historically, ultramarine has been prized for its rarity and association with transcendence. In this piece, it underscores the emotional depth of the relationship depicted—suggesting love that is profound and almost otherworldly. The fluid application of the pigment, with drips and streaks, evokes a sense of impermanence and raw emotion, as if this moment is fleeting but deeply significant.

The loose, gestural brushwork is reminiscent of Expressionism or even the spirit of calligraphic abstraction, where the mark-making becomes a vehicle for emotion. This technique creates a visceral impact while leaving room for the viewer’s imagination to fill in the details.The decision to not fully render the figures emphasizes their entanglement, as their forms melt into one another and dissolve into the composition.

This work evokes connections to the modernist tradition of figurative abstraction, recalling artists like Henri Matisse in his later cut-outs or Egon Schiele in his raw and expressive depictions of intimacy.The dripping paint also aligns with the spirit of action painting from the Abstract Expressionist movement, such as the works of Jackson Pollock or Franz Kline, but with a softer emotional tone.The choice of ultramarine and fluidity calls to mind traditional Japanese ink wash painting, where every brushstroke conveys meaning and emotions are distilled into pure form.

Overall, “Entangled” is a beautifully expressive work that invites contemplation and emotional resonance. It’s an excellent example of how simplicity and abstraction can carry profound meaning.

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Neo-Mythology.

Angels, inspired by religious paintings.

Architectural imaginary scenes, details, landscapes, cityscapes.